Showing posts with label Swatches. Show all posts
Showing posts with label Swatches. Show all posts

Monday, December 2, 2019

Bookbinding Materials Swatches, Con't

I'm continuing to go through my old trade manuals and journals scanning the materials swatches that were so often included. This time the swatches are from "L. Brade's Illustriertes Buchbinderbuch," edited and reworked by Paul Kersten in 1921. The closest edition available in Hathitrust is from 1916, but is lacking the materials samples and advertising.

The swatches themselves were provided by various workshops and wholesalers, included the contact information, and were mounted on different stocks for whom contact information was also provided.

Enjoy!




Marbled with colors by Paul Szigrist, Leipzig.

Marbled with colors by Paul Szigrist, Leipzig.

Printed and batik artists' papers from the firm of Hanns Doenges, Wiesbaden.

Papers sold by Wilhelm Leo's Successors, Stuttgart.

Hand-colored papers from Künstlerpresse, Dresden.

Hand-colored papers from Künstlerpresse, Dresden.

Endpapers, some decorative from Wilhelm Valentin, Berlin.

Endpapers, some decorative from Wilhelm Valentin, Berlin.

Saturday, November 23, 2019

More Bookbinding Materials Swatches

More materials swatches from the apprentice journal, Der Buchbinderlehrling. These were a regular fixture and informed about all manner of materials – decorative, utilitarian, exotic, innovative – everything to keep the apprentice aware of what was out there. Samples were often associated with articles, and vendor contact information was often included.

A variety of decorative Japanese papers including wood veneer.
Der Buchbinderlehrling, vol. 4, nr. 7, 1930.

Embossed sheepskin at top with imitation "leathers" below.
These accompanied the article "Leder und Lederimitationen" by Paul Preß.
Der Buchbinderlehrling, vol. 5, nr. 1, 1931.

Swatches of gauze, crash, super, shirting.
For the article "Heftgaze - Papyrolin - Shirting" by Paul Preß.
Der Buchbinderlehrling, vol. 5, nr. 7, 1931.

Swatches of different bookcloths and fabrics used in covering. For the article
"Büchertuch - Halbleinen - Reinleinen - Rohleinen - Lasting - Moleskin"
by Paul Preß. Der Buchbinderlehrling, vol. 6, nr. 1, 1932.

Swatches of different Pliaphan and Zellstoff (Cellulose / Gelatine based clear films).
For the article "Zellglass und Gelatinefolien"" by Paul Preß.
Der Buchbinderlehrling, vol. 6, nr. 7, 1932.

Swatches of Igraf, a cellulose-based ersatz paper/parchment with the look of
Elephant Hide. For the article "Igraf in Bookbinding" by Walter Gerlach.
Der Buchbinderlehrling, vol. 7, nr. 1, 1933.

Swatches of western papers. For the article "Der Werkstoff Papier" by Paul Preß.
Der Buchbinderlehrling, vol. 7, nr. 12, 1933.

Sunday, November 10, 2019

More Sprayed and Stenciled Papers

Below a sample of Peka-Spritz-Papier made by Hübel & Denck in Leipzig from the article "Das Spritzverfahren in der Buchbinderei" by Paul Klein in the Buchbinderlehrling, 1928. I shared other papers using this technique by Hübel  & Denck from their Monatsblätter in this earlier post.



Steifbroschure (stiffened paper binding) by Amy Borezo on Ernst Collin's Bone Folder from the 2012 Bind-O-Rama, More examples including historical ones can be found by clicking on the steifbroschure label. Just scroll down.

Airbrushed Cave paper over boards; tipped on Tiziano endsheets;
unsupported link stitch. Dimensions: 21.5 x 13.8 x .8 cm.
In reading the text… I appreciated the discussion of the various kinds of decorated papers.
It inspired me to create my own decorated cover paper for this book using a metal bonefolder
 to score a geometric pattern into the paper, which I then folded, airbrushed, flattened,
and attached to the cover.

Amy wrote a short post on how she made the paper for Bonefolder Extras here. The second edition text of Ernst Collin's Bone Folder can also be freely downloaded laid out for binding using the link in the left sidebar.

Saturday, November 2, 2019

Decorated Papers from Kersten's Exakte Bucheinband

Swatches of decorated papers and other materials were regular features of German bookbinding publications, whether books or journals. Below the swatches included with Paul Kersten's Der Exakte Bucheinband (1923), one of the iconic manuals focusing the Franzband (Extra binding with 90 degree joint and laced-on (usually) boards. The text appeared in multiple editions with the 1909 available in HathiTrust. Swatches there start on page 223.

Notice how the vendors for the papers are listed with/below the swatches, as well as what the paper the swatches are mounted on. This is allows the binder for whom the publications were written to know exactly where to procure them.

Title Page

Vorsatz (endpaper) and Überzug (covering paper).

Marbled papers.

More marbled papers of various kinds.

More endpapers.

Saturday, September 14, 2019

Decorated Papers

Recently received 3 years of bound volumes of the Archive für Buchbinderei, 1930-32.

1930 featured 2 tipped in decorated samples, one paste and one oil marbled.

"Hand painted" decorated paper from the workshop of Emma Gustorff,
Beuel a. Rh. (now  a part of Bonn).

Oil marbled paper from the Workshop of Alex Peltzer, Munich.

1931 was bound by a first year apprentice and covered with a paste paper of his own making.

Paste paper (and half-linen) binding by a 1st year apprentice.
No, the label was not adhered to the cover.

Sunday, June 9, 2019

Sprayed and Stenciled Papers

Decorated papers from the Hübel & Denck Monatsblätter 1924 & 1925, as well as a photo showing process from Praktische Winke für den Verkehr zwischen Verlag und Buchbinderei published by the Leipziger Buchbinderei A.G., 1926. The decorated papers are created with sprayed colors using stencils and other techniques. See also pochoir, schabloniertes Papier. Paul Klein wrote an article on the topic, "Das Spritzverfahren in der Buchbinderei" for Der Buchbinderlehrling, vol 2, nr 8, 1928.

End- and covering paper Pekapapier Nr. 84 made in our own workshop
from a design by Paul Klein.
Hübel & Denck Monatsblätter, Nr. 2, 1924.

End- and covering paper Pekapapier Nr. 96 made in our own workshop.
Hübel & Denck Monatsblätter, Nr. 3, 1924.

Peka sprayed paper made in our own workshop using light-fast colors,
a new development that has man advantages in addition to the attractive soft-toned colors.
Hübel & Denck Monatsblätter, Nr. 1, 1925.

Photo showing process of making sprayed and stenciled papers
from Praktische Winke published by the Leipziger Buchbinderei A.G., 1926.