For a change, something from Germany's neighbor to the west, France. This is one of my favorite bindings, in large part because I have had the privilege of being able to view and handle it as part of my "day job" as a librarian. Reasons for its attraction are my love of art deco livres d'artistes, in particular the French bindings of that period, and the fact that so much of the process in the form of proofs of illustrations and the binding design are bound in. Johanna Drucker in her work
The Century of Artists' Books
, the livre d'artiste
came into being as a publishing enterprise initiated by such figures as the
Parisian art dealers Vollard and Kahnweiler who saw a business opportunity in
marketing deluxe editions illustrated by recognized or upcoming stars in the
fields of visual arts or poetry, among them Chagall, Picasso, Apollonaire,
Matisse, Miro, Ernst.
The two short stories that
are related in
Two Tales by Oscar Wilde,
The Happy Prince and
The Nightingale and
the Rose, involve the tragic deaths of a sparrow and a nightingale,
each sacrificing itself for the cause of true love. The engraver and
printer F. L. Schmied and the bookbinder Georges Cretté decided to use this
emblem on the volume's magnificent art deco binding. Set into the
morocco leather of the front cover is a panel with the image of a dying
bird created with
cracked eggshell and lacquer by
Jean Dunand after Schmied's
design. The edition was limited to twenty copies. The opening displays
Schmied's dramatic typographical treatment complemented by a horizontal
band of engraving and explains the death of the nightingale:
If
you want a red rose," said the Tree, "you must build it out of music by
moonlight, and stain it with your own heart's-blood. You must sing to
me with your breast against a thorn. All night long you must sing to me,
and the thorn must pierce your heart, and your lifeblood must flow into
my veins, and become mine.
In addition to the final printed text and illustrations, proofs for all
illustrations, borders, and other design elements were also bound into
the book.
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| Front cover of binding with eggshell lacquer panel by Jean Dunand. |
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| Design mock-up of front cover design bound into book. |
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| Detail of eggshell lacquer panel... |
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| Printed silk doublure (inside front board) with stamp for lacquer panel. |
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| Detail of stamp. |
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| Binder's stamp from inside of rear board, G[eorges] Cretté succ[essor] Marius Michel |
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| Title page. |
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| Colophon/edition statement on verso of title page. |
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| Text page showing borders/decorative elements |
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| Full page illustration. |
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| Proof for illustration above, bound in at back of book. |
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| Proof for illustration, bound in at back of book. |
For more images of wonderful
Art Deco livres d'artistes, including other examples of this edition see the auction catalog for the
Bibliothèque Félix Marcilhac that can be
downloaded in PDF.
Art Nouveau and Art Deco Bookbinding: French Masterpieces 1880-1940 by Alastair Duncan and Georges De Bartha is must have "book porn" for lovers of this era of binding. Lots of copies floating around at Amazon, ABE Books, ...
All binding images, Peter D. Verheyen from
Wilde, Oscar. Two Tales. Paris : F.L. Schmied, 1926. Contains:
The Happy Prince and The Nightingale and the Rose.8 leaves, xxviii p., 5 leaves, xxvi p., 6 leaves, 102 leaves : ill. ; 29 cm. Permission of: Special Collections Research Center, Syracuse University Libraries
