|On Søren Kierkegaard by Edward F. Mooney
Bound in salmon leather on spine with stained birch veneer covered boards; endpapers of handmade Roma paper; graphite top edge; leather endbands; title stamped in gold on front cover with goat leather onlays. Enclosed is cloth-covered slipcase. Bound 2013.
Concept:Simple and elegant with a weathered look.
Sunday, September 1, 2013
Another commission that involved rebinding a modern trade binding. I had rediscovered several sheets of beautiful birch veneer and used this binding as an excuse to try weathering the wood and seeing how it worked as a prelude to another binding. It's nice to be able to transfer skills and materials from my model railroad hobby, but the other binding had its problems - while the wood turned in fairly easily on these 40pt boards, it was a bit more challenging on the other book, cracking and separating from the paper backing... On the upside and while hard to see in the image, the wood took the gold stamping for the title well, too. Amy Borezo has used this with great effect, turning-in or trimming flush with board edges. Her binding on the Guild's 100th Anniversary Catalog is here. The salmon skin was much easier to work with. This one is not polished but suede-like.