Saturday, November 23, 2019

More Bookbinding Materials Swatches

More materials swatches from the apprentice journal, Der Buchbinderlehrling. These were a regular fixture and informed about all manner of materials – decorative, utilitarian, exotic, innovative – everything to keep the apprentice aware of what was out there. Samples were often associated with articles, and vendor contact information was often included.

A variety of decorative Japanese papers including wood veneer.
Der Buchbinderlehrling, vol. 4, nr. 7, 1930.

Embossed sheepskin at top with imitation "leathers" below.
These accompanied the article "Leder und Lederimitationen" by Paul Preß.
Der Buchbinderlehrling, vol. 5, nr. 1, 1931.

Swatches of gauze, crash, super, shirting.
For the article "Heftgaze - Papyrolin - Shirting" by Paul Preß.
Der Buchbinderlehrling, vol. 5, nr. 7, 1931.

Swatches of different bookcloths and fabrics used in covering. For the article
"Büchertuch - Halbleinen - Reinleinen - Rohleinen - Lasting - Moleskin"
by Paul Preß. Der Buchbinderlehrling, vol. 6, nr. 1, 1932.

Swatches of different Pliaphan and Zellstoff (Cellulose / Gelatine based clear films).
For the article "Zellglass und Gelatinefolien"" by Paul Preß.
Der Buchbinderlehrling, vol. 6, nr. 7, 1932.

Swatches of Igraf, a cellulose-based ersatz paper/parchment with the look of
Elephant Hide. For the article "Igraf in Bookbinding" by Walter Gerlach.
Der Buchbinderlehrling, vol. 7, nr. 1, 1933.

Swatches of western papers. For the article "Der Werkstoff Papier" by Paul Preß.
Der Buchbinderlehrling, vol. 7, nr. 12, 1933.

Saturday, November 16, 2019

Marbling

I'm not a real user of marbled papers, let alone a marbler. I did, however, marble with oil paints before learning to make my real love of paste papers during my internship at the Germanisches Nationalmuseum in Nuremberg (1984). We also marbled once with water colors on a carragheen. After my return to Baltimore to finish college, I made some more marbled papers that I used on some of my early bindings. I think I marbled once more in the late 80s, but that was it... My expectations for thus upcoming foray are rather low, that way I won't be disappointed.. ;-)

Not sure what I was thinking here... It was an internship and early days.
Binding covered in water color marbled paper, housed in a slipcase marbled with oil paints.

Box made of scored and folded board edged in cloth with oil marbled paper sides.
Technique is described in Franz Zeier's Schachtel, Mappe, Bucheinband (Books, Boxes, and Portfolios),
My first manual, and still a favorite!

Fritz Wiese's Der Bucheinband as an Edelpappband
(millimeter binding), one of the first structures I learned. I bound this one on
my own between internship and heading back to Germany for my apprenticeship.

Gabrielle Grünebaum's Bunterpapiervbook bound during my apprenticeship, ca 1986.

My notes from Nuremberg with samples of my first forays into marbling tipped-in,
my first book on basic marbling for hobbyists covered in my own paper, and oil paints,
and other marbling supplies I bought years ago to try my hand at it again. Instead of
dropping the paints on water, I learned to use a very dilute paste water (very thin cream)
that gave more control over the colors in terms of making patterns.
I think I'll use methylcellulose.

Fritz Otto checking things out and hoping he gets included in the party...
Still some supplies to get. We'll probably do this over Christmas break
when all will be home for two weeks+!

Sunday, November 10, 2019

More Sprayed and Stenciled Papers

Below a sample of Peka-Spritz-Papier made by Hübel & Denck in Leipzig from the article "Das Spritzverfahren in der Buchbinderei" by Paul Klein in the Buchbinderlehrling, 1928. I shared other papers using this technique by Hübel  & Denck from their Monatsblätter in this earlier post.



Steifbroschure (stiffened paper binding) by Amy Borezo on Ernst Collin's Bone Folder from the 2012 Bind-O-Rama, More examples including historical ones can be found by clicking on the steifbroschure label. Just scroll down.

Airbrushed Cave paper over boards; tipped on Tiziano endsheets;
unsupported link stitch. Dimensions: 21.5 x 13.8 x .8 cm.
In reading the text… I appreciated the discussion of the various kinds of decorated papers.
It inspired me to create my own decorated cover paper for this book using a metal bonefolder
 to score a geometric pattern into the paper, which I then folded, airbrushed, flattened,
and attached to the cover.

Amy wrote a short post on how she made the paper for Bonefolder Extras here. The second edition text of Ernst Collin's Bone Folder can also be freely downloaded laid out for binding using the link in the left sidebar.

Saturday, November 2, 2019

Decorated Papers from Kersten's Exakte Bucheinband

Swatches of decorated papers and other materials were regular features of German bookbinding publications, whether books or journals. Below the swatches included with Paul Kersten's Der Exakte Bucheinband (1923), one of the iconic manuals focusing the Franzband (Extra binding with 90 degree joint and laced-on (usually) boards. The text appeared in multiple editions with the 1909 available in HathiTrust. Swatches there start on page 223.

Notice how the vendors for the papers are listed with/below the swatches, as well as what the paper the swatches are mounted on. This is allows the binder for whom the publications were written to know exactly where to procure them.

Title Page

Vorsatz (endpaper) and Überzug (covering paper).

Marbled papers.

More marbled papers of various kinds.

More endpapers.