Gaylord kindly included prospecti when he sent the textblock and I bound those in at the back along with tipping in an original print (for the standard edition cover) opposite the title page.
|Textblock sewn on three vellum back salmon leather slips and backed towards 90 degrees at shoulder. Double-folio Johannot endpapers to go with textblock.|
|Wrapped endbands, graphite top edge, and prospecti guarded in at rear of textblock...|
|Illustration from text scanned and output via inkjet. Sealed with varnish to prevent bleeding. A different illustration will go on the back board. Slips will extend onto covers on top of vellum, amount TBD|
|Vellum laid on top of artwork. Will show through with more clarity when vellum is pasted to boards.|
Next steps, attach artwork to boards, cover in vellum, stamp title on front board, attach boards to textblock via slips...
Structure is an open joint binding (in German, Franzband mit offenem Falz), a style that is attributed to Otto Dorfner, a contemporary of Ignatz Wiemeler who also taught at the Bauhaus and bound some of the Cranach Press works... It is also used heavily by Jean de Gonet in France [Site has some broken links, click on "reliures" for bindings]. De Gonet also had a fantastic retrospective at the BNF, amazing catalog available via amazon.fr. Sonya Sheats a binder working in the Boston area uses it beautifully as well. Erin Fletcher did a very nice multi-part interview with her on her blog. Toon Van Camp a binder in Belgium describes the structure as he learned in a workshop with Brother Edgar Claes. Anne Puls, a German binder creates beautiful designs using this technique, something I would love see her write up.
Watch the design evolve as I post updates while working on the binding.
Edit 11/10/13: Read part 2 here.