Binding Three of The Bone Folder Done ...

In 2017, nine years ago, the Boss Dog Press of Don Rash published my translation of Ernst Collin's Pressbengel as The Bone Folder. I set about to bind three copies of that edition for myself. The first two went very well, but I tortured myself with a design that didn't want to work on the 3rd copy. I'd originally planned to inset collages referencing the text and author ... Oh, well. 

I recently reached out to Don for two paintings, one of a bone folder, the other of a Pressbengel. As befits the process related to this binding, I mismeasured, so had to improvise, again with the paste paper ... 🙄 Paintings are on binders board used as a work surface (material as metaphor 😉). Title stamped in graphite foil using the type faces used in the text. So, after almost 9 years, most of them spent in a box, I am now calling this done to be tucked away, in a box, again.

My third binding on the Boss Dog Press edition of The Bone Folder.

Ernst Collin. The Bone Folder. The Boss Dog Press, 2017. Peter D. Verheyen, translator.

Modified Bradel binding; endpapers of gray Roma; graphite top edge; sewn endbands. Décor on boards are paintings of a bone folder and a Pressbengel by Don Rash of the Boss Dog Press; title stamped in graphite using the type faces from the text. Also bound in are an extra set of enlarged photographs and the prospectus. 30.5 x 23.5 x 3 cm. Bound 2018 - 2026.

Now, on to the next unfinished bindings on my box. Wouldn't want whomever inherits this stuff to have anything unfinished ... 

The Rapid Sewing Frame (Schnellheftlade) - Innovation or Dead End?

Back in early 2024 Jeff Peachey reached out to me asking about a weird contraption for sewing books (my description) that he found in Wilhelm Leos' 1920 catalog. Leos was one of the largest and most comprehensive bookbinding supply wholesalers and publishers in Germany and the field; they still exist. 

The idea behind the Schnellheftlade (rapid sewing frame) was increase the speed of hand sewing by at least 2x in smaller binderies that didn't have/need machines to do that work. This was accomplished by simplifying the what is essentially sewing on recessed cords and taking advantage of other shortcuts.

Page from Leos 1920 catalog
advertising the Schnellheflade.

Detail view from the catalog page.

The snap Jeff sent me looked very familiar and sent me into my usual rabbit holes related to the literature of the time. Now, where did I see this before?!?! Turns out to have been depicted in Hermann Nitz's 1931 Die Technik des Bucheinbandes (The Techniques of Bookbinding), a booklet aimed at bibliophiles, much like Ernst Collin's Pressbengel (The Bone Folder, read via links at left). Nitz was a fine binder who married the best of industrial/trade binding with hand binding.

So, we decided to write an article about this together, a fun experience.

Image from Hermann Nitz's 1931
Die Technik des Bucheinbandes (The Techniques of Bookbinding).

Also incredibly intriguing, Jeff interpreted this contraption to build a working model. Did it meet expectations when put into use? Can we compare the proficiency of sewers from the turn of the / early 20th centuries with those from today? To find out, read the article linked to below.

Jeff Peachey's working interpretation.

Ultimately we learned that a) the idea of this kind of device was older than we thought; b) existed in several variants; and c) was offered longer than we thought. The results of our adventure were published as Peachey, Jeff and Verheyen, Peter D. "German Hybrid Book Sewing Machines". Guild of Book Workers Journal, Vol. 54, 2025. (14-32). Read the full article here.

I love research projects like this – a huge thank you to Jeff for reaching out and very pleased to have contributed to this and some of his other publications. Also, a big thank you to Susie Cobbeldick, editor of the Guild of Book Workers' Journal for her work with us.

Renate Mesmer Speaks About Her Apprenticeship and Path

Though registered, I missed Renate Mesmer's presentation at the William Anthony Conservation Lecture Series on Halloween 2024. Thank you to the friendly colleagues at Iowa for putting it online recently.

In her lecture, Renate spoke about her path in From an Apprenticeship in Traditional Hand Bookbinding to Conservation, a path that started with her apprenticeship in Germany after leaving school after the 10th grade (at 16 years old), the more traditional path, and alternative to university [qualification (Gymnasium)] or after. Her description of those experiences also reminded me of what could have been in the case of my apprenticeship. The biggest takeaways for me – repetition and then more repetition, life-long learning, and giving back.

The works and daily/weekly journal (Berichtsheft) of an apprentice.
Bonus image at center of a Sprungrücken.

View the lecture on YouTube here.

On April 23rd, Renate presented a different version of her Werdegang and career path to the 2026 Minter Lectureship in Conservation held at the Penn State University Libraries.  

Click here for the recording of
 A Wunderkabinett: Bookbinding and Book and Paper Conservation