German binding manuals and related books of the first third of the 20th century often featured ideas and designs for bindings to instruct and to serve as a source of inspiration. For examples see
Designing Spines and
Paul Kersten's Decorative Leather Work.
Paul Kersten's (1865-1943) and Paul Klein's (1894-1968)
Vierzig neuzeitliche Entwürfe für künstlerische Bucheinbände (Halle: Verlag Wilhelm Knapp, 1928) featured 20 designs each by two masters of the craft, noted teachers, and fine binders who both helped define design in the field. The "book" was issued in the form of plates printed on heavier newsprint-like paper in a wrapper. The table of contents indicated the finishing technique, e.g. blind or gold. The binding designs were printed on very thin glossy paper. The wrapper and layout were designed by Paul Klein. My copy of the text had been bound by attaching the (now rather brittle) plates to stubs and over-trimming the textblock. I'll blame the apprentice.
A copy as issued (below) is/was available from my favorite dealer in Germany via eBay It is also
available in facsimile.
Kersten who studied with Georg Collin (at W. Collin) was the teacher of notable students including Otto Dorfner and Otto Pfaff, both of whom Ernst Collin wrote about in articles. Kersten followed
Maria Lühr as teacher at Lette Verein, was recognized as one of the greatest finishers of his generation, and was the subject of a
Festschrift written by Ernst Collin. In 1904, Kersten published
Moderne Entwürfe künstlerischer Bucheinbände, The book was serialized in 6 installments of loose plates, much like the book depicted below.
Paul Klein began his studies and apprenticeship at the Bauhaus (1921-22) under Dorfner where he led the binding workshop, and continued on with Dorfner as a journeyman after Dorfner left the Bauhaus. He later led the hand-binding division of Th. Knaur in Leipzig (a large firm) and subsequently went to work as a binder and designer at Hübel & Denck, also in Leipzig. According to
Otto Dorfner: Zwischen van de Velde und Bauhaus (Halle/Weimar, 1989), edited by Mechtild Lobisch, Klein's trail ends in the mid-thirties in Munich where he is said to have worked for a publisher.
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| Wrapper by Paul Klein |
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| Design in gold Paul Kersten |
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| Design in blind by Paul Kersten |
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| Design in blind by Paul Kersten |
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| Design in blind by Paul Kersten |
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| Design in gold by Paul Klein |
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| Design in blind by Paul Klein |
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| Design in gold by Paul Klein |
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| Design in gold by Paul Klein |
More images from the book can be found via Europeana,
here and
here.
Below some actual bindings by Kersten and Klein from the
Archiv für Buchbinderei, 1928.
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| Bindings by Paul Kersten, member of the Jakob-Krause-Bund (J.K.B.) |
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| Bindings by Paul Klein, member of the Jakob-Krause-Bund (J.K.B.) |
